A Coat of Many Colours: Occasional Essays - download pdf or read online
By Herbert Edward Read
This booklet, first released in 1947, is choice of severe essays by means of Herbert learn that had now not been formerly released in publication shape. The essays hide a number of diverse topic parts, together with literature, paintings, structure, and movie, from a span of two decades. This name could be of curiosity to numerous readers.
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Additional resources for A Coat of Many Colours: Occasional Essays
T h e r e are a few famous battle-pieces, but with the possible exception of Uccello's " R o u t of San R o m a n o ", they h a v e played no important part in the history of art. Even Uccello's picture is significant as an exercise in perspective, a n d not as a comment on war. Leonardo applied all his unique intelligence to the subject, a n d painted at least one great battle-piece, but as one can see very clearly from the remarks he m a d e in his Notebooks, his interest was entirely technical a n d strictly objective.
It was not, of course, the first time that a poet h a d brought himself into his work ; that is a general tendency which began with the Renaissance, a n d Milton was largely concerned with himself a n d his personal experiences in a poem like Samson Agonistes. But Milton, it might be said, h a d the decency to objectify his selfobservation—to embody it in a myth, so that we a p p r o a c h it indirectly. A n d that, it might be said, is in general the way of art. I n classical art, at any rate, the personal reference is always oblique, implied rather t h a n stated openly.
Beyond the poet's experiences there was, indeed, another t h e m e to which this poem was, as its title indicates, but a prelude ; that larger work was to be " a moral a n d philosophical 48 The " Prelude " in Wartime poem, the subject whatever I find most interesting in Nature, Man, and Society "—but it is still a personal theme—what /, the poet, find interesting, my moral and philosophical ideas on Man, Nature and Society, my personal vision of the universe. One has only to compare this conception—a conception which includes not only the Prelude', but the greater philosophical poem that was never completed—one has only to compare this conception of Wordsworth's with Dante's Divine Comedy to see what some people would call the originality, and others the enormity, of the undertaking.
A Coat of Many Colours: Occasional Essays by Herbert Edward Read